Showing posts with label Evolution of Logos. Show all posts
Showing posts with label Evolution of Logos. Show all posts

Wednesday, 13 May 2009

Evolution of Apple Logo


Here i shall discuss the evolution of Apple's Logo which has by far been the most revered. I shall analyse importance of each of these logos some time again in my later logos.

Mac

It is one of the biggest consumer electronics and Software Company, best known for products like Macintosh, iPod and iphone. Steve Jobs, Steve Wozniak, and Ronald Wayne had together setup Apple in 1976, to sell their hand-built computer Apple I. They had offered their product to HP first but were declined by them. I think HP would still be regretting this today.

The road to success wasn’t easy for Apple, and Wayne liquidated his share in the company for a mere $ 800. After the launch of Apple II in 1977, things started to look up for Apple and we all know what heights the company has reached since then.

Apple II was successful mainly because it had colored graphics. Great and simple design, has always been the USP (Unique Selling Proposition) for Apple, and their logo is no exception. When Apple was started, the logo was a complicated picture of Isaac Newton sitting under a tree. This had been designed by Jobs and Wayne, with the inscription: “Newton … A Mind Forever Voyaging Through Strange Seas of Thought … Alone.” Frankly, I don’t think it was just a coincidence that Apple had slow sales during this period.

However, Steve Jobs hired Rob Janoff to simplify the logo, which turned out to be a great idea. Rob created the ‘Rainbow Apple’ which was the logo for company till 1998. There are many rumors as to why Rob had chosen to create such a logo. One of them says that the Apple was a tribute to Newton (discovery of gravity from an Apple), and since the USP for Apple at that time was colored graphics, it had the rainbow colors. Another explanation exists that the bitten apple pays homage to the Mathematician Alan Turing, who committed suicide by eating an apple he had laced with cyanide. Turing is regarded as the father of computers. The rainbow colors of the logo are rumored to be a reference to the rainbow flag, as homage to Turing’s homosexuality.

Janoff, however, said in an interview that though he was mindful of the “byte/bite” pun (Apple’s slogan back then: “Byte into an Apple”), he designed the logo as such to “prevent the apple from looking like a cherry tomato.”

When Apple launched the new iMac in 1998, they changed their logo to a monochromatic apple logo, almost identical to the rainbow logo. Now, the Apple logo comes with nice gradient chrome silver design. It is one of the most recognized brand symbols in the world today, and the shape is what identifies the company more than the color.

Wednesday, 15 April 2009

Evolution of Logo: Hollywood Sign History

The Logo Quiz is dedicated to all the Logo and Quizzing freaks across the world. Guys this is our place!!! Make your dreams come alive cherish the moment and explore more Logo Quizzes. Also we have a few posts related to the Creation of the Logo and the Evolution of the Logo apart from the regular Logo Quiz. If you want The Logo Quiz to feature your logo , then please send your Company's Logo details to logoquizzer@gmail.com

It's fitting that the Hollywood Sign, the worldwide symbol of the entertainment industry, was conceived as an outdoor ad campaign for a suburban housing development called "Hollywoodland," after all, despite the high profile of the film biz, real estate has always been Hollywood's primary economic driver. Although the Sign's appearance and purpose have evolved over the years, its basic aspirational message remains the same: This is a place where magic is possible, where dreams can come true. Back then, the dream was a beautiful home and lifestyle. Today, the Sign's promise is more subtle - and can only be described as the parade of images, desires and ideas conjured by the word "Hollywood."

A Time Before the Sign

Left- Lookout Mountain Inn in Laurel Canyon (1915)
Center-Casaba field at Sunset Blvd. and Harper St. (1918)
Right- Testing the acoustics at the Hollywood Bowl (1921)

Imagine a time when the only stars in Hollywood were found in the crystal-clear night skies arching over rolling hills. This was the setting for the area’s native people, the Gabrielinos. Later, the Gabrielinos lived on missions for some time but reminders of their culture remain.

Before Hollywood became the world’s entertainment mecca, it resembled other west frontiers – a landscape of farmers, cowboys, prospectors, bandits, and mostly undeveloped land. (All land north of Sunset Boulevard, for example, was considered useless for anything but grazing.)

With more and more Easterners drawn by the promise of sunny skies and mild, dry weather, the area’s bedrock industry – real estate – soon kicked into high gear. Subdivisions begat more subdivisions, and by the end of the 19th century Hollywood was taking on the contours of a recognizable town. Thanks to Daeida Wilcox, it also had a name. In 1887, Mrs. Wilcox, wife of town founder Harvey Wilcox, met a woman on a train trip who referred to her Florida summer home, “Hollywood.” She was so struck by the name that she suggested it to her husband … and the rest is history.

The Dream Factory Begins to Churn


Left-Douglas Fairbanks uses “state of the art” communication device to direct Robin Hood (1922)
Center-Mary Pickford and Douglas Fairbanks put the finishing touches on their studio on Santa Monica and Formosa (1922)
Right-Sid Grauman and Norma Shearer at the Chinese Theatre (1927)

All was quiet until 1907, when bad weather drove a small Chicago film company westward to complete a shoot. The first real studio, Nestor Film Company, soon followed from New Jersey, cranking out three pictures a week – one ‘western,’ one ‘eastern,’ and one comedy – for a grand total of $1,200.

By 1912, word of Hollywood’s ideal film-shooting climate and landscape spread, and at least 15 independent studios could be found shooting around town. Old barns were turned into sound stages and Hollywood’s quiet time was over.

It wasn’t just sunny skies that spurred the mass film migration to Hollywood. In 1897, famed inventor and early movie mogul Thomas Edison began suing rival producers who were utilizing filmmaking-projection devices based (he felt) on his Kinetoscope technology. Many of these movie ‘pirates’ fled from New Jersey (home of the Edison Company and the original movie capital), first to Cuba, then to California – for good.

Hollywood Becomes Tinseltown

Left-RKO Studios (1931)
Center-William Mulholland speaking at dedication of Hollywood Lake & Dam (1925)

By 1915, America was officially film crazed, and Hollywood was shaping into the glamorous, sometimes surreal landscape we’ve come to know and love.

Hopeful actors and actresses filled the streets, dazzled by a new American dream – film stardom. Studios, meanwhile, sprung up like wildfires and engaged in a cutthroat battle for survival. As the industry matured, many of these independent companies merged, forming the big studios that would shape and control the industry moving forward.

By 1920, 40 million Americans were going to the movies each week. As the industry blossomed, Hollywood strove to keep pace physically. L.A. history buffs (and fans of the movie Chinatown) know the key to the area’s explosive development during the early 20th century was the Owens Valley Aqueduct System, spearheaded by William Mulholland (who was the head engineer of the Municipal Water Department) and initially completed in 1913. The controversial – indeed violently opposed – project diverted water from the Owens River, the lifeblood of a farming community. Furious Owens Valley residents (allegedly) dynamited the L.A. Aqueduct in 1924 and, later that same year, seized control of a critical aqueduct gate, shutting off the flow of the river. These acts of sabotage continued sporadically until 1928, when the chief backer of the opposition movement, the Owens Valley Bank, collapsed.

Still, the water flowed (usually), and Hollywood flourished. During the 20s, a whimsical skyline of movie set-inspired hotels and apartments rose along the big boulevards. The more prestigious addresses, including the opulent Garden Court Apartments, Chateau Elysee and Garden of Allah Villas, were imbued with the glamour of the stars that called them home. The rise of the film aristocracy also meant suave new restaurants and nightclubs up and down Hollywood and Sunset Boulevards. Extravagant movie palaces completed the iconic Hollywood landscape.

A Sign Is Born – 1923
Hollywood, which by now represented not just a city, but also an industry, a lifestyle and, increasingly, an aspiration, was officially coronated when the “Hollywoodland” sign was erected in 1923.
Built by Los Angeles Times publisher Harry Chandler as an epic $21,000 billboard for his upscale Hollywoodland real estate development, the Sign soon took on the role of giant marquee for a city that was constantly announcing its own gala premiere.
The “billboard” was massive. Each of the original 13 letters was 30 feet wide and 50 feet tall, constructed of 3x9’ metal squares rigged together by an intricate frame of scaffolding, pipes, wires and telephone poles – all of which had to be dragged up Mt. Lee on dirt paths.
Few realize that a giant white dot (35 feet in diameter, with 20-watt lights on the perimeter) was constructed below the Sign to catch the eye. The Sign itself featured 4,000 20-watt bulbs, spaced 8 inches apart. At night the Sign blinked into the Hollywood night – first “Holly” then “wood” and finally “land,” punctuated by a giant period. The effect was truly spectacular, particularly for pre-Vegas sensibilities.
Originally intended to last just a year and a half, the Sign has endured more than eight decades – and is still going strong.

Sound and the Crash
The advent of synchronized sound sent the picture industry reeling, as the big studios frantically re-tooled and acting careers were ruined – and made – overnight. Still, the “talkies” took movie mania to new heights, and Hollywood was booming in 1929 when the stock market crashed. Although the studios, which rely heavily on speculative capital, were hit hard initially, the Depression meant even bigger business as Americans flocked to theaters for ever more lavish, escapist productions.
The “Hollywood Sign Girl”
The element of sound promised new opportunities for vocally trained stage actors. Unfortunately, most of the thousands of would-be stars and starlets who flocked to Hollywood were met with cold rejection.
In 1932, Peg Entwistle, a New York stage actress, became the symbol of the dark side of the Hollywood dream. Emboldened by her Broadway success, the ambitious young actress soon set her sights on the silver screen. She packed her bags for Hollywood and moved in with her uncle on Beachwood Drive – virtually in the shadow of the Hollywood Sign.
Unfortunately, Peg failed to make a splash, and she spent most of the brutally hot summer of ‘32 hanging around her uncle’s house, waiting for a phone call that never came. Finally, on the evening of September 18th, Peg told her uncle that she was going to meet some friends at a nearby drug store – but this was a sad lie. She instead made the arduous hike up the canyon hill to the Hollywood Sign, her one-time beacon of hope but now a symbol of failure and rejection. She climbed 50 feet up a workman’s ladder to the top of the “H” and plunged to her death. Peg Entwistle – dubbed by tabloids as the “The Hollywood Sign Girl” – was only 24 years old.
In a cruel twist of irony, a letter to Peg arrived the day after her death from the Beverly Hills Playhouse. She was offered the lead role in a play ... about a woman driven to suicide.

A Sign of the Times –
In 1949, the Hollywood Chamber of Commerce finally came to the rescue of the ailing Sign, removing the letters that spelled “LAND” and repairing the rest, including the recently toppled “H.” As the century hit the halfway mark, a leaner, cleaner Sign was reintroduced in its now-iconic form.

The Sign It Is a’Changin’ – Turbulence and Decay
During the 1960s, Hollywood suffered through a mass exodus of residents to the suburban San Fernando Valley. Even more distressing was the flight of film power centers to the Valley and other less cramped environs. By 1970, Paramount was the only studio left in town.
In the void left by this civic and business flight – and against a backdrop looser obscenity laws, redefining what could be shown in movie theaters – Hollywood became overrun with adult theaters, and the ‘adult’ culture they ushered in: massage parlors, porn shows, adult bookstores, etc. Crime soared, and the town’s storied boulevards were ravaged by the urban decay that marked most U.S. cities during the period.
Meanwhile, by the end of the turbulent 60s it didn’t take a Weatherman to know what the elements had done to the Sign. Hollywood’s once-proud emblem now served as a glaring badge of dis-honor – rusted, dilapidated, soon to literally crumble under its own weight.
In 1973, the City of Los Angeles Cultural Heritage Board gave the Sign official landmark status (Monument #111), but the ensuing ceremony, hosted by silent film star Gloria Swanson, was blanketed in a thick fog, ruining the event. It was a portent of dark days ahead – for the city, and especially the Sign. During the 70s – as Hollywood continued to decline – the top of the “D” and the entire third “O” toppled down Mt. Lee, and an arsonist set fire to the bottom of the second “L.”
Adding insult to injury, pranksters altered the Sign’s letters to read “Hollyweed” in 1973 (advocating looser marijuana laws) then later, to “Holywood”, commemorating a visit from Pope John Paul II in 1987.

A Sign is Re-Born
By the late 1970s, the Hollywood Chamber of Commerce determined that the Sign required a complete rebuilding – carrying a price tag of a quarter million dollars. Thankfully, some of showbiz’s biggest names came to the rescue. In ‘77, Fleetwood Mac pledged a charity concert, but local residents prevented it. The next year, however, Hugh Hefner hosted a gala fundraiser at the Playboy Mansion, where individual Sign letters were ceremonially ‘auctioned’ off at $27,700 per letter. The effort to preserve the Sign brought together an odd mix of celebrity sponsors: Glam-rocker Alice Cooper ‘bought’ an “O” (in honor of Groucho Marx), while singing cowboy Gene Autry sponsored an “L” and Andy Williams sponsored the “W.”
Thanks to the help of these and other donors, the Sign was poised for its overhaul. The old Sign was scrapped in August ’78 – yes, for three lonely months Hollywood had no Sign – and 194 tons of concrete, enamel and steel later, the Sign was re-born, poised and polished for a new millennium.

A Hollywood Comeback
The Sign’s rebirth was only successful in a Hollywood revitalization effort that continues to this day. In 1980, a $90 million federal grant enabled Hollywood to launch a slew of redevelopment projects. In ‘89, Disney Studios began a museum-grade rehabilitation of the El Capitan Theater. Ten years later, part of the Egyptian was restored to its glory. The Roosevelt Hotel and Pantages Theater all received well-deserved makeovers during the last decades of the millennium. In short, Hollywood was moving forward, in part by wisely reinvesting in the monuments of its past.
The Sign Ushers in the Millennium …

In a spellbinding display of lights and megawatts special effects, the nine 45-foot letters of the Hollywood Sign were spectacularly lit, one by one, as L.A. counted down to the 21st Century. During global Millennium TV coverage, the Sign was featured alongside the Eiffel Tower, Times Square, and the Great Pyramids of Egypt. The erstwhile real estate billboard had taken its place among the world’s most revered landmarks.

The Hollywood Sign Today
Hollywood’s civic restoration, which began in the 1970s, picked up steam in the ensuing decades, fueled by a growing reverence for what the industry had come to represent worldwide. The Sign has always served as a barometer for the community; and as Hollywood re-blossomed, so too did the Sign, which benefited from a range of new preservation efforts.In 1992, the California Attorney General granted distinct legal rights and responsibilities to three official agencies – the City of Los Angeles (which owns the land the Sign stands on), the Hollywood Chamber of Commerce (which owns the licensing rights for the Sign’s image), and the Hollywood Sign Trust (formed to maintain, repair and provide capital improvements to the Sign for the benefit of the public – with the larger mission of helping to preserve Hollywood’s standing as the worldwide center of motion pictures and cinema arts).Thanks to the Trust’s efforts, the Sign got a fresh new paint job in 1995, courtesy of Dutch Boy Paints, during a ceremony hosted, appropriately enough, by Phyllis Diller(the ‘queen of face-lifts’). On December 31, 1999, the Sign was the site of the West Coast’s highest-profile “Y2K” celebration, ringing in the new millennium with a dazzling display of lights and special effects. The Sign was featured alongside the Eiffel Tower, the Great Pyramids of Egypt, and New York’s Times Square during global millennium countdown TV coverage … The erstwhile real estate billboard continued its place among the world’s most revered landmarks.In 2000 the Hollywood Sign Trust hired Panasonic to install a state-of-the-art security system comprised of a vast closed circuit surveillance network, and Internet-based surveillance (which can viewed live on this very website). The system, which is monitored 24/7 to protect the Sign and it neighbors from unwanted visitors and the danger of fire, was upgraded with new technologies in 2005.In 2004 the Sign celebrated its 80th birthday at a gala celebration hosted by movie musical legend Esther Williams (another remarkably preserved octogenarian). The ‘birthday party’ was held during the opening ceremonies for the AFIFest – which was sponsored in part by the Trust. In mid-2005, the Sign ‘goes into makeup’ once again, and will receive another new sparkling white paint job.Poised and polished for this millennium, the Hollywood Sign continues to inspire moviemakers and fans around the world, while playing a vital role in keeping the town it helped put on the map at the center of the global entertainment industry. Through the years – from its splashy real estate billboard roots, to its long neglect and decay, to its current status as a revered international landmark – the Sign has emerged more symbolically powerful than ever, conjuring an ever-expanding parade of images, desires and ideas with just nine simple letters:

H-O-L-L-Y-W-O-O-D




Dedication of the sign (1923)
Brand new Hollywoodland homes (1925)
Building an “O” (1923)
Peg Entwistle, the "Hollywood Sign Girl" (1932)
Chamber of Commerce Advertisement (1921)
Mickey Rooney at Hollywood Guild Canteen (1943)
Anne “Mom” Lehr and some of her servicemen guests at the Hollywood Guild Canteen (1943)
The “ollywoodland” sign (1949)

Sunday, 15 February 2009

Evolution of Logo: Toyota Logo History

The Logo Quiz is dedicated to all the Logo and Quizzing freaks across the world. Guys this is our place!!! Make your dreams come alive cherish the moment and explore more Logo Quizzes. Also we have a few posts related to the Creation of the Logo and the Evolution of the Logo apart from the regular Logo Quiz. If you want The Logo Quiz to feature your logo , then please send your Company's Logo details to logoquizzer@gmail.com










The current Toyota company emblem pin badge, which all Toyota motor corporation employees receive upon joining the company.



Ever since its humble beginnings in Japan almost 70 years ago, Toyota has recognized how important it is to have a meaningful visual identity with strong visual impact.

Back in 1936, to coincide with the launch of its eagerly awaited first passenger car, Toyoda Automatic Loom Works Ltd. held a public competition to establish a new symbol mark to promote its vehicles. The company indicated that the new design should convey the feeling of speed. Twenty-seven thousand entrants answered the call and submitted their ideas to Toyoda.

The winning design led to a change in the name of the automobiles and plants from "Toyoda" to "Toyota." The name change made the Japanese lettering more streamlined and was also chosen because the number of strokes to write Toyota in Japanese (eight) was thought to bring luck and prosperity. The sound of the word "Toyota" was also deemed more appealing. The Model AA, Toyota's first passenger car, became the first automobile to use the Toyota name and new mark. Although no longer used on the product, the mark is still used today as the corporate emblem of Toyota Motor Corporation.

The original Toyoda mark displayed at an exhibition to commemorate the completion of Toyota's first domestically built passenger car in 1936.




The current Toyota company emblem, used only in Japan, whose introduction signaled the change of the company name. Here it adorns TMC head office in Aichi.



With its expansion overseas in the following decades, Toyota sought ways to consolidate the brand and raise international brand awareness. Although the mark "TOYOTA," in roman type, was in wide use, the lack of branding guidelines meant interpretation differed from country to country, resulting in an inconsistent global message.

In 1989, in an attempt to unify this global message, and also to clearly differentiate the Toyota brand from the recently launched luxury brand, Lexus, Toyota introduced the Toyota Mark & Logo.

The current Toyota Mark consists of three ovals: the two perpendicular center ovals represent a relationship of mutual trust between the customer and Toyota. These ovals combine to symbolize the letter "T" for Toyota. The space in the background implies a global expansion of Toyota's technology and unlimited potential for the future.

Effective visual identity must not only raise brand awareness but must also have an association with the product and corporate philosophy. It must also resonate with customers. The Toyota Mark & Logo does all these perfectly, which is why it is now recognized worldwide as being synonymous with quality, reliability and the spirit of innovation.

The Toyota Mark & Logo was introduced along with that of Lexus at the Second World Convention in 1989


Tuesday, 20 January 2009

Interpretation of Logo: Goodyear Logo

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GOODYEAR'S LOGO

Our winged-foot trademark was inspired by a newel-post statuette of the Roman god Mercury in the home of Goodyear founder Frank Seiberling.Seiberling felt Mercury embodied many of the characteristics for which Goodyear products were known.



THE GOODYEAR SYMBOL - ORIGIN OF THE WINGFOOT

The responsibility for the adoption of the Wingfoot symbol, known today in every civilized country on earth, rests to a great extent with Frank Seiberling, the founder and for many years president of The Goodyear Tire & Rubber Company.

In the old Seiberling home in Akron, on a newel post of the stairway there stood a statue of the famous god of mythology known to the ancient Romans as Mercury, and to the Greeks as Hermes.

Mr. Seiberling's attention was attracted to the statue, and he felt that the god it portrayed embodied many of the characteristics for which Goodyear products were known.

A meeting to discuss the idea of suitable trademark was held at the Seiberling home in August 1900. Something distinctively Goodyear was needed to distinguish it from other companies.

Among the sketches prepared for the meeting at Mr. Seiberling's suggestion was one using the winged foot of Mercury.

Everyone present agreed that this should be the symbol for the company, with the Wingfoot to be set in the middle of the word "Goodyear." The original Wingfoot, however, was much larger in relation to the word "Goodyear" than the one in use today.

Mercury in ancient times was the god of trade and commerce; but it was as a swift messenger for all the gods of mythology that he was best known, and as such he has continued to be known through the centuries.

The idea of speed had much to do with Goodyear's selection of the symbol, for the wingfooted Mercury was regarded as a fleet herald of good news. But it is as a herald or carrier of good tidings to users of Goodyear products everywhere that the Wingfoot now stands in the minds of the people of the world.

Goodyear Logo - Winter tire

Special marking did not exist so far,who would define tire as winter. By that reason it has designed new logo Goodyear, which will be placed on all winter tires produced by Goodyear and Dunlop, for trucks equal, as well as coaches. Logo, on flank of tire place, suggestive picture presents referring to winter conditions, on fact indicating same, that tire has been made for riding in winter conditions specially, on snow and ice.

Wednesday, 31 December 2008

Evolution of Logo: FUJIFILM Logo

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The FUJIFILM corporate logo portrays the FUJIFILM corporate brand simply and powerfully. The center of the logo features an innovative design feature that points to our commitment to cutting-edge technology.

FUJIFILM has sported its current familiar corporate brand logo for 26 years since it was introduced in 1980, and over that time it has built on its core technologies to diversify and expand its business domain. Now, FUJIFILM is embarking on a new beginning, making clear its commitment to continued sustainable growth coupled with further business expansion and diversity. The revamped corporate brand logo will serve as a symbol of FUJIFILM's determination to enhance its corporate brand.

The new logo features a sharp design accent in the center, symbolizing our commitment to advanced technologies, while the use of red in the lettering expresses our firm determination to pursue ongoing innovation. The new logo is both simple and powerful in its affirmation of the new FUJIFILM corporate brand.


Evolution of FUJIFILM Brand Logo

1934

1960

1980

around 1985

1992

2006

Happy New Year

Wednesday, 24 December 2008

Evolution of Logo: Mitsubishi Logo History

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The year 2001 marked the 80th year since the founding of Mitsubishi Electric. It is also the year that we adopted "Changes for the Better" as our corporate statement. This statement expresses our commitment to ongoing improvement with the aim of continuously creating better products.The story below outlines how the Mitsubishi logo first came about, and how it and the corporate slogan have evolved into what is used today.


Origin of the Mitsubishi Logo
In the 1870s, the shipping company Tsukumo Shokai, which was the precursor of Mitsubishi, used a triangular water chestnut icon on its ships' flags, and it is from this icon that the current three-diamond Mitsubishi icon originated. It is derived from the three-layer chestnut family crest of Yataro Iwasaki, founder of Tsukumo Shokai, and the three-leaved oak family crest of the Yamanouchi family, from the Tosa Clan. Records suggest that the Mitsubishi company name was settled on later.



1921
Mitsubishi Electric is established when Mitsubishi Shipbuilding Co. (now Mitsubishi Heavy Industries, Ltd) spins off a factory in Kobe to manufacture electric motors.

1955
The official company name and typeface are decided. The font is called Mitarashi-ryu and is used until 1963.


1964
The corporate slogan which translates as "with you today and tomorrow" is adopted (in Japan only) with the aim of building a familiar corporate image among consumers

1968
A new corporate slogan, "ADVANCED AND EVER ADVANCING" is announced. In the words of President Okubo, Mitsubishi Electric CEO at the time, "we devised the slogan to cement our position in future industry through our technical expertise, and to establish a corporate posture of cultivating and nurturing management skills, so that a new corporate image would permeate the company both internally and externally."


1985
A Corporate Identity campaign is executed with the aim of boosting corporate image. The "Blue MITSUBISHI" corporate brand logo is devised for use in Japan to provide some sense of individualism within the Mitsubishi Group. Overseas, a logo is created that teams the familiar red three-diamonds symbol with a simple "MITSUBISHI." A new corporate slogan that translates roughly as "SOCIO-TECH: enhancing lifestyles through technology" is adopted in Japan. The overseas slogan is left unchanged.

2001
On the occasion of Mitsubishi Electric's 80th anniversary, the corporate philosophy is re-evaluated and the slogan revised to "Changes for the Better" as a consistent message both in Japan and overseas. The "Blue MITSUBISHI" logo continues to be used in Japan, while "MITSUBISHI ELECTRIC" is used overseas to provide distinctiveness within the Mitsubishi Group.



Three Diamonds

To develop a logo for the company, Iwasaki took his own family crest, which showed three stacked diamonds, and the crest of the Tosa Clan, which showed three oak leaves joined at the stem. The result was the forerunner of today's logo: three diamonds that come together at a central point. In 1875, Iwasaki decided to rename the company after the logo: Three Diamonds, or in Japanese, Mitsubishi. From then on, all the companies that would later grow from that original shipping company would bear the Mitsubishi name. The logo in its final form was registered in 1914.

Tuesday, 23 December 2008

Evolution of Logo: University of New Brunswick Logo

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Our new logo, has been derived from the crest, which has been a symbol of UNB for almost 50 years.We treasure the crest. It will continue to be an emblem of the University for official and ceremonial applications within our new image program.




So why a new logo?
We are all proud of our University, its people, accomplishments, and reputation.But, quite frankly, the excellence and quality of UNB is not well enough known, at home or abroad. One way to make a strong impression is to have a truly distinctive symbol that simply,clearly, and powerfully identifies the many outstanding things originating from, belonging to, or associated with the University of New Brunswick. Over time Ñ with consistent, coherent, repeated use Ñ we expect people inside and outside the institution will immediately recognize UNB excellence whenever and wherever they see our logo.

What does it mean?
UNBÕs new identity is a symbolic representation of some basic, simple ideas that we think capture the UNB experience: a moving adventure in knowledge and life experience that is full of surprises; a Maritime heritage rich in quality and tradition.

The basics: The new identity is composed of two key elements (A and B):ÔUNBÕ and the ÔsailÕ. Great care has gone into the relationship between
these elements.

Campus Designations: UNB is a tale of two cities Ñ two unique experiences joined by a common goal. Our image and identity program acknowledges the individuality of each campus and the combined organization that is UNB. In the past, the letters UNB have often been used to refer to the Fredericton campus, while UNBSJ has commonly been used to denote the Saint John campus.





The Crest: There is an important place for history in the story of UNB.Our crest is an excellent representation of that history. However, our vision is firmly focused on the future and for that reason the crest is to be used selectively for formal, official, and ceremonial purposes. Wherever possible, it is best to keep the crest separate from the logo. For instance, the crest may appear on the back of the publication.

Sunday, 14 December 2008

Evolution of Logos: Swisscom Logo

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History of the brand


How the corporate brand has changed








1849 to 1923. Following the centralisation of the previously Canton-based or privately-run postal system in Switzerland, the Swiss cross in the form of a coat of arms decorated with a post horn, Alpine roses and oak leaves is introduced as the trademark symbol of the Swiss postal system. The introduction of the telegraph (from 1852 onwards) and the telephone (from 1880 / 81 onwards) mark the birth of Swiss telecommunications.









1923 to 1927. For the first time an illustration appears on the title pages of the annual reports of the Swiss Postal Administration and the Swiss Telegraphy and Telephony Administration: a Swiss cross with a halo and post horn/telegraph pole for the two divisions respectively.









1927 to 1929. Postal, telephony and telegraphy services are brought together under a common administration. The symbolism in the logo focuses on the Swiss cross with the halo and post horn or telegraph pole from which wires stretch out.








1929 to 1931. The rectangular heraldic logo makes its appearance. Despite the organizational merger of the post and telegraph/telephone divisions, each division is allowed to have its own logo. The telegraph pole therefore remains on the logo variant used for telegraphy/telephony services.








1931 to 1936. The post horn is used not only to represent the postal services, but also the telephony and telegraphy divisions. This gives the impression that the Senior Telephony Services Directorate has been swallowed up by the Postal Services Directorate. Following the introduction of the new heraldic logo, the PTT operations continue to use a common logo featuring the Swiss national emblem until into the 1980s.








1936 to 1939. For the first time the acronym PTT (standing for Post, Telegraphy and Telephony) appears in the logo.











1940 to 1982. The post horn disappears. "Switzerland" and "PTT" now make up the logo's message.








1982 to 1993. A graphic artist from the postal service's stamp department plays with the elements of the Swiss cross and PTT and gives the logo a contemporary new look.









1993 to 1997. The telecom division demonstrates its separate identity with a logo variant in which the text Telecom is the dominant feature.








1997. The telecom division becomes a listed public limited company and is given the name Swisscom. The Swisscom logo, with its simple style, combines the human side of technology with the image of credibility and security offered by a traditional company. It forms a central element of the visual identity of the Swisscom brand.

The new brand
The new look is more modern, more colourful, more vivid and also much simpler than the different identities Swisscom has used in the past. The design selected will permit broad-based marketing activities across the various customer segments and via the different types of media. The logo's lettering has been modernised and a moving element has been added. Given that most communications services are now accessed on-screen, the new logo is ideally suited to Swisscom. In the future, customers will expect to have mobile and fixed access to TV, Internet and personal data (photos, films, etc.) in the simplest manner possible and whenever they want, using TVs, PCs and mobile phones.

Wednesday, 3 December 2008

Evolution of Logos: Walmart Logo

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Wallmart Logo Evolution

The company has tried out various colors and variation of the word Walmart over the years. In 1962, when Sam Walton started, the company, the logo had simply the word spelled in a very basic design.

The logo was changed in 1964, when a hyphen was added and the color was also changed from blue to black. This came to be known as the “Frontier Font Logo”. The 1968 logo shown here is the discount city logo, which was mainly used for uniforms, in-store signing etc, but it was never used to advertise or even in annual reports.
The 1981 logo changed the curly font to a more solid font, giving the company a more stable, established and balanced look. The hyphen in this logo was replaced by the star in 1992, and the familiar blue color of the logo returned for the first time after the company’s inception.

Walmart is probably one of the few companies, who have tried so many logos, but their current logo is more like the original logo, other than any other intermediate logo. The font differs a little from the original and is indeed more stylish, but the ‘Walmart’ word without a break appears for the first time after 1962. They have kept the star from 1992, but moved it to the end.

Friday, 14 November 2008

Evolution of Logos: ERG Logo

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(1)The story of the ERG logos begins with the symbol of a dice (1) used by the Edoardo Refinery Garrone. The story goes that the acronym ERG appeared for the first time when the initials of the one-man company founded in 1938 by Doctor Edoardo Garrone were written on the symbol of a dice (in Italian “dado”, which is also an affectionate diminutive of Edoardo)

(2)The dice symbol was used, adopted by the refinery and in the first sales outlets, until the end of the sixties, when Garrone S.p.A. petroleum products, and Edoardo Garrone Raffinerie Petroli were divided, and the latter adopted the logo with the panthers which was changed from a round symbol (2), to a rectangular one half-way through the eighties (3).

(3)This symbol, the logo of the ERG network which could be seen on roads all over Italy (in the meantime ERG had also purchased service stations from Elf and Chevron), was changed at the end of the eighties, when the part depicting the three panthers was erased, leaving a navy shield with white writing as the trademark of the holding company and of the Group (4).

(4)The new ERG logo, however, had two problems: as it used to be part of a fuller logo it had very little personality. The energy and the slant of the first two letters E and R was brusquely interrupted by the roundness of the letter G, which gave the impression of being “askew”.
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(5)Gradual alterations were made of two kinds: 1. the design of the lettering was altered (the G in particular); 2. the volumes and colours of the logo were altered. The final result was a new lettering, mainly used in is positive version as blue lettering on a white background, and not inserted in any geometrical shape. The character used was a new one (it could not be found in printers catalogues) and it became the new trademark/logo of the Group which, in its visual communications, no longer presented itself as the ERG Group but simply as ERG.

(6)The ERG logo, which had been the trademark of the parent company for some time, became – like a family surname – the prefix to identify all the main Group companies.
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(7)Halfway through the year 2000, with the commencement of electricity production, ERG went from being an oil company to a company producing energy in a broader sense. The new strategic positioning (ERG a world of energy) and, at the same time, the need to revamp the image of the service stations, made an evolution in the design of the ERG brand necessary. And so the ripple was born, the new symbol of ERG energy which accompanies and characterises the new ERG logo.


(8)Ripple is an Anglo-Saxon expression which defines the effect – known to everyone but which does not seem to have a name in Italian – of the birth and propagation ad infinitum of concentric circles in a liquid. It appears, for example, when we thrown a stone into water. From that energy, from that harmonic expansion emanating from a single centre, the inspiration was born for the new ERG trademark.


(9)In line with the policy 'ERG, a single brand’, the logo is the same both for corporate use and for product applications (service stations).

The prevalently positive use of the design (8) and the possibility to use a signature distinguish the institutional applications from product applications, for which an exclusively negative use is made. (9)
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(10)A further development in the positioning of the ERG Group, which for some time now has also been engaged in the sector of renewable energy, has led to the need to communicate and enhance awareness of its mission already through its trademark, where the colour of the Ripple has changed from blue to green. (10)
Each Group company is assigned its own specific trademark, composed and approved based on the forms and lettering of the ERG trademark.

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